CHRISTIANE FESER
During the residency
2018
AWARDEES 2024
01 - MUNICH
CONRAD creates three-dimensional objects and structures that he transfers to paper. To do this, he experiments with his bare feet and heavily soaked paper. The element “color” creates anchor points.
02 - BERLIN
Karolin Schwab photographs and paints places and conditions of which we know how they sound.
In her serial work, she approaches the translation of “sound” into “form” using a wide variety of approaches.
03 - BERLIN
João Freitas says: “My aim is to overcome the passivity of the two-dimensional image, to transcend its surface limitations and reveal the physical support it conceals.”
04 - BERLIN
Katja Strunz combines her knowledge of folding with the components of paper and the world. Strict structure holds together what breaks apart in our reality: Destroyed landscapes, climate, politics, wars. Through folding, the present “comes into order” and finds ways out.
AWARDEES 2022
02 - BERLIN
03 - BERLIN
04 - MUNICH
AWARDEES 2021
01 - BERLIN
02 - BERLIN
03 - BERLIN
04 - MUNICH
AWARDEES 2020
01 - BERLIN
02 - BERLIN
03 - BERLIN
04 - MUNICH
AWARDEES 2019
01 - BERLIN
02 - BERLIN
03 - BERLIN
04 - MUNICH
AWARDEES 2018
01 - BERLIN
02 - BERLIN
03 - BERLIN
AWARDEES 2023
01 - BERLIN
Annabel Daou layers, tears, and cuts until the paper throws itself at us in the form of words, speaking to us
02 - BERLIN
Haleh Redjaian symbolically untangles the knots of the traditionally woven carpets from her childhood, transforming them into hand-cut strips of paper through a process of reweaving.
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03 - BERLIN
Serena Alma Ferrario breathes life into her drawn figures through organic cuts in paper, creating picture stories that come alive in space.
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04 - MUNICH
Breaking open the material is crucial in Nadine Fecht's work. Instead of using a knife, she employs fire and embers, revealing layer after layer of the paper in a graphic gesture or even radically opening it up with burn holes.